NEW YORK (AP) — For the first time in three years, the fall movie industrial complex is lurching back into high gear. Festival red carpets are rolled out. Oscar campaigns are primed. Long-awaited blockbusters, like “Black Panther: Wakanda Forever” and “Avatar: The Way of Water,” are poised for big box office.
But after the tumult of the pandemic, can the fall movie season just go back to way it was? Many are hoping it can. After two springtime editions, the Academy Awards have returned to a more traditional early March date. The Golden Globes, after near-cancellation, are plotting a comeback. Some movies, too, are trying to recapture a before-times spirit. At the Toronto Film Festival in September, Rian Johnson’s “Glass Onion: A Knives Out Mystery,” has booked the same theater “Knives Out” premiered to a packed house almost exactly three years ago.
“Seems like yesterday,” Johnson says, laughing. “OK, a few things have happened.”
After an all-but-wiped-out 2020 autumn and a 2021 season hobbled by the delta and omicron COVID-19 variants, this fall could, maybe, just maybe be something more like the normal annual cultural revival that happens every fall, when most of the year’s best movies arrive.
“We’re all, I think, just trying to will it into existence as at least some version of what we knew before,” says Johnson. “As with everything, you kind of just have to dive into the pool and see what the water’s like. I’m really hoping that at least the illusion of normalcy holds. I guess that’s all normalcy is.”
But “Glass Onion,” with Daniel Craig’s Benoit Blanc in a new mystery, is also a reminder of how much has changed. After “Knives Out” was a box-office hit for Lionsgate, grossing $311 million worldwide for Lionsgate, Netflix shelled out $450 million to snap up the rights to two sequels. And while exhibitors and the streaming company discussed a larger theatrical release for “Glass Onion” — a surefire hit if it did — a more modest rollout in theaters is expected before the films lands Dec. 23 on Netflix.
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This image released by Netflix shows, from left, Edward Norton, Madelyn Cline, Kathryn Hahn, Dave Bautista, Leslie Odom Jr., Jessica Henwick, Kate Hudson, Janelle Monae, and Daniel Craig in a scene from “Glass Onion: A Knives Out Mystery.” (Netflix via AP)
The balance between theatrical and streaming remains unsettled. But after a summer box-office revival and an evolving outlook for streaming by Wall Street, theatrical moviegoing — with its billions in annual ticket sales and cultural footprint — is looking pretty good. For the first time in years, moviegoing has a strong wind at its back. Or at least it did until an especially slow August sapped momentum due largely to a dearth of new wide releases.
“If you look at how many movies we had compared to what business we did, we were operating at 2019 levels,” says John Fithian, president of the National Association of Theater Owners. “We had 70% of the supply of wide-release movies in the first seven months and we did 71% of the business we did in the same period in 2019. Moviegoers are back in pre-pandemic numbers, it’s just we still need more movies.”
That will be less of an issue as the fall season ramps up. “Wakanda Forever” (Nov. 11) and “The Way of the Water” (Dec. 16) may each vie with the summer smash “Top Gun: Maverick” ($1.36 billion worldwide and still counting) for the year’s top film. Less clear, though, is if the fall’s robust slate of adult-driven films and Oscar contenders can once again drive moviegoing. Last year’s best-picture winner, “CODA,” from Apple TV+, ran the awards gauntlet without a cent of box office.
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This image released by 20th Century Studios shows Ronal, voiced by Kate Winslet, left, and Tonowari, voiced by Cliff Curtis in a scene from “Avatar: The Way of Water.” (20th Century Studios via AP)
Among the most anticipated films hitting the fall festival circuit and theaters are:
- Steven Spielberg’s semi-autobiographical “The Fabelmans” (Nov. 23)
- “Blonde” (Sept. 23), starring Ana de Armas as Marilyn Monroe
- Todd Fields’ “TÁR” (Oct. 7), with Cate Blanchett
- Sam Mendes’ “Empire of Light” (Dec. 9)
- “The Son” (Nov. 11), Florian Zeller’s follow-up to “The Father”
- Chinonye Chukwu’s Emmett Till saga “Till” (Oct. 14)
- Martin McDonagh’s “The Banshees of Inisherin” (Oct. 21)
- James Gray’s “Armageddon Time” (Oct. 28)
- Cannes Palme d’Or winner “The Triangle of Sadness” (Oct. 7)
Anticipated superhero films, kids movies, rom coms and more:
- “Black Adam,” Oct. 21, starring Dwayne Johnson
- “Lyle Lyle Crocodile,” Oct. 7
- “Halloween Ends,” Oct. 14
- “Ticket to Paradise,” Oct. 21, with Julia Roberts and George Clooney
- “Devotion,” Nov. 23
- “My Policeman,” Oct. 21, with Harry Styles
- “Bardo,” in theaters Nov. 4, by Alejandro González Iñárritu
- “White Noise,” in theaters Nov. 25, by Noah Baumbach
- Guillermo del Toro’s “Pinocchio,” streaming Dec. 9
But if much of the fall movie season is about restoring what was lost the last few years, for some upcoming movies, change is the point. “Woman King” (Sept. 16), directed by Gina Prince-Blythewood and starring Viola Davis, is muscular fact-based epic about a West African army of female warriors. To Prince-Blythewood, the filmmaker of “Love & Basketball” and “The Old Guard,” “Woman King” represents “the chance to reframe what it means to be female and feminine.”
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This image released by Sony Pictures shows Viola Davis in “The Woman King.” (Sony Pictures via AP)
“I don’t think we have ever seen a movie like this before. So much of our history has been hidden or ignored or erased,” says Blythewood. “‘Braveheart,’ ‘Gladiator,’ ‘Last of the Mohicans.’ I love those movies. Now, here was our chance to tell our story in this genre.”
“Bros” (Sept. 30), too, is something different. The film, starring and co-written by “Billy on the Street” comedian Billy Eichner, is the first gay rom-com by a major studio (Universal). All of its principal cast members are LGBTQ. Comedies have struggled in theaters in recent years but “Bros,” produced by Judd Apatow, hopes a new perspective will enliven a familiar genre.
“It’s a historic movie in many ways,” says Eichner. “That’s not something we thought about when we were first developing it. Nobody sits down and says, ‘Let’s write a historic movie.’ We said, ‘Let’s make a hilarious movie.’ It will make people laugh but it’s unlike anything the vast majority of people have seen.”
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This image released by Universal Pictures shows Billy Eichner, left, and Luke Macfarlane in a scene from “Bros.” (Universal Pictures via AP)
“Bros” and “Woman King” are productions meant to challenge the status quo of Hollywood. That’s also part of the nature of “She Said” (Nov. 18), a dramatization of New York Times journalists Jodi Kantor and Megan Twohey’s investigation into movie mogul Harvey Weinstein. Sarah Polley’s “Women Talking” (Dec. 2) likewise chronicles a real-life female uprising. It’s based on events from 2009, when Bolivian Mennonite women gathered together after having been drugged and raped by the men in their colony.
Olivia Wilde’s buzzed-about “Don’t Worry Darling,” starring Florence Pugh and Harry Styles as a married couple living in a 1950s-style suburban nightmare-slash-male fantasy, approaches some similar themes through a science-fiction lens.
“I want to make something that is just really entertaining and fun and interesting, but actually is my way of provoking conversations about real issues like body autonomy,” says Wilde. “I didn’t know it would be as timely as it is right now. Never in my wildest nightmares did I believe Roe would have been overturned right before the release of this film.”
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This image released by Warner Bros. Entertainment shows Harry Styles, left, and Florence Pugh in a scene from “Don’t Worry Darling.” (Warner Bros. Entertainment via AP)
Other movie production timelines seem to exist almost apart from our earthly reality. James Cameron’s “Avatar: The Way of the Water” will debut 13 years after 2009’s “Avatar” (still the highest grossing film ever), a follow-up originally scheduled for release in 2014. Since then, so many dates have come and gone that the sequels — four films are now slated to launch in the next five years — have sometimes seemed like blockbuster Godots that might forever wait in the wings.
Speaking from the New Zealand where “The Way of the Water” was being mixed and scored, producer Jon Landau promised the wait is, in fact, nearly over.
“This is finally happening,” said Landau. “Those delays, as you would call them, were really about us creating a foundation for a saga of movies. It wasn’t about going: ‘Let’s get one script right.’ It was about: ‘Let’s get four scripts right.’”
Measuring the change in the movie industry is even harder when it comes to the span in between “Avatar” installments. When the first “Avatar” was in theaters, 3-D was being billed (again) as the future. Barack Obama was in the first year of his first term. Netflix was renting DVDs by mail.
“A lot has changed but a lot hasn’t,” says Landau. “One of the things that has not changed is: Why do people turn to entertainment today? Just like they did when the first ‘Avatar’ was released, they do it to escape, to escape the world in which we live.”
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Touchstone Pictures
What makes a movie hang around for an extended period at the box office? What makes a movie consistently irresistible to the American film-going masses?
Stacker looked at domestic box office data from The Numbers on the 50 movies with the most impressive box office runs since 1981, meaning the movies whose successful box office performances were spread out the longest, movies that kept drawing crowds, and eventually stacked up impressive box office runs. Films are ranked by the ratio between their total domestic box office and their largest weekend gross.
Sometimes it’s a movie about an adorable alien trying to return home; other times it’s a movie about an awkward teen from a small town in Idaho; or a movie about an Italian American woman who falls in love with a guy with a wooden hand. It’s hard to say which movies will stick around in theaters longer than others, but some movies simply come out at the perfect time and capture the hearts and minds of Americans. These movies that accumulate impressive box office runs are referred to as “leggy.”
Check out this list of the 50 leggiest movies at the domestic box office throughout the past four decades.
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Touchstone Pictures
What makes a movie hang around for an extended period at the box office? What makes a movie consistently irresistible to the American film-going masses?
Stacker looked at domestic box office data from The Numbers on the 50 movies with the most impressive box office runs since 1981, meaning the movies whose successful box office performances were spread out the longest, movies that kept drawing crowds, and eventually stacked up impressive box office runs. Films are ranked by the ratio between their total domestic box office and their largest weekend gross.
Sometimes it’s a movie about an adorable alien trying to return home; other times it’s a movie about an awkward teen from a small town in Idaho; or a movie about an Italian American woman who falls in love with a guy with a wooden hand. It’s hard to say which movies will stick around in theaters longer than others, but some movies simply come out at the perfect time and capture the hearts and minds of Americans. These movies that accumulate impressive box office runs are referred to as “leggy.”
Check out this list of the 50 leggiest movies at the domestic box office throughout the past four decades.
You may also like: 100 greatest movie songs from 100 years of film
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TAO Film
– Legginess ratio: 12.94
– Total domestic gross: $44 million
– Best weekend: $3.4 million
– Best distribution: 877 theaters
In this historical bio-drama from Bernardo Bertolucci, the reign of China’s last emperor, Pu Yi (John Lone), is detailed in flashbacks as he recounts his life after the Red Army captures him in 1950 as a war criminal. The film had an unusual run at the box office, not slipping into the top 10 until its 12th week in theaters. After the film won the Academy Award for Best Picture, it reached the #4 spot in its 22nd week and spent another six weeks in the top 10.
TAO Film
– Legginess ratio: 12.94
– Total domestic gross: $44 million
– Best weekend: $3.4 million
– Best distribution: 877 theaters
In this historical bio-drama from Bernardo Bertolucci, the reign of China’s last emperor, Pu Yi (John Lone), is detailed in flashbacks as he recounts his life after the Red Army captures him in 1950 as a war criminal. The film had an unusual run at the box office, not slipping into the top 10 until its 12th week in theaters. After the film won the Academy Award for Best Picture, it reached the #4 spot in its 22nd week and spent another six weeks in the top 10.
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Great American Films Limited Partnership
– Legginess ratio: 13.07
– Total domestic gross: $63.9 million
– Best weekend: $4.9 million
– Best distribution: 1,012 theaters
While on an expectedly boring summer vacation in the Catskills with her family, Baby (Jennifer Grey), meets the resort’s hunky dance instructor, Johnny (Patrick Swayze), and the two begin to fall for one another as Johnny teaches Baby how to move. Against a mere $4.5 million budget, the film was a smash hit and grossed an impressive $214.6 million at the worldwide box office, spending 21 weeks in theaters.
Great American Films Limited Partnership
– Legginess ratio: 13.07
– Total domestic gross: $63.9 million
– Best weekend: $4.9 million
– Best distribution: 1,012 theaters
While on an expectedly boring summer vacation in the Catskills with her family, Baby (Jennifer Grey), meets the resort’s hunky dance instructor, Johnny (Patrick Swayze), and the two begin to fall for one another as Johnny teaches Baby how to move. Against a mere $4.5 million budget, the film was a smash hit and grossed an impressive $214.6 million at the worldwide box office, spending 21 weeks in theaters.
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Touchstone Films
– Legginess ratio: 13.18
– Total domestic gross: $71.6 million
– Best weekend: $5.4 million
– Best distribution: 1,114 theaters
When the wife of the husband who loathes her is kidnapped, the husband is overjoyed at the opportunity to get rid of her. But the kidnappers realize the woman might be more trouble than the unanswered $500,000 ransom. Compared to the film’s scant $13 million budget, its earnings of more than $71 million made the film a success. It ended up lasting 15 weeks at the box office, consistently staying within the top 10.
Touchstone Films
– Legginess ratio: 13.18
– Total domestic gross: $71.6 million
– Best weekend: $5.4 million
– Best distribution: 1,114 theaters
When the wife of the husband who loathes her is kidnapped, the husband is overjoyed at the opportunity to get rid of her. But the kidnappers realize the woman might be more trouble than the unanswered $500,000 ransom. Compared to the film’s scant $13 million budget, its earnings of more than $71 million made the film a success. It ended up lasting 15 weeks at the box office, consistently staying within the top 10.
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Fox Searchlight Pictures
– Legginess ratio: 13.19
– Total domestic gross: $34.4 million
– Best weekend: $2.6 million
– Best distribution: 1,554 theaters
In this period black comedy, two close associates of the frail Queen Anne (Olivia Colman) begin vying for the top spot beside the queen, resulting in hilarious plays of power as the women battle to be the queen’s favorite. From only four theaters in its opening weekend, the film’s per-venue average was $105,603, and it spent a total of 21 weeks at the box office bolstered by its 10 Oscar nominations.
Fox Searchlight Pictures
– Legginess ratio: 13.19
– Total domestic gross: $34.4 million
– Best weekend: $2.6 million
– Best distribution: 1,554 theaters
In this period black comedy, two close associates of the frail Queen Anne (Olivia Colman) begin vying for the top spot beside the queen, resulting in hilarious plays of power as the women battle to be the queen’s favorite. From only four theaters in its opening weekend, the film’s per-venue average was $105,603, and it spent a total of 21 weeks at the box office bolstered by its 10 Oscar nominations.
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Twentieth Century Fox
– Legginess ratio: 13.2
– Total domestic gross: $75.1 million
– Best weekend: $5.7 million
– Best distribution: 1,101 theaters
An adventure novelist finds her boring life thrown into a real-life adventure when her sister is kidnapped in the Colombian jungle. Accompanied by a bold mercenary, the two must acquire the ransom needed to retrieve her sister. Directed by Robert Zemeckis, it was expected to be a box office bomb, but ended up as the eighth highest-grossing film of 1984.
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Twentieth Century Fox
– Legginess ratio: 13.2
– Total domestic gross: $75.1 million
– Best weekend: $5.7 million
– Best distribution: 1,101 theaters
An adventure novelist finds her boring life thrown into a real-life adventure when her sister is kidnapped in the Colombian jungle. Accompanied by a bold mercenary, the two must acquire the ransom needed to retrieve her sister. Directed by Robert Zemeckis, it was expected to be a box office bomb, but ended up as the eighth highest-grossing film of 1984.
You may also like: Incredible filming locations from popular movies
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R.P. Productions
– Legginess ratio: 13.24
– Total domestic gross: $32.5 million
– Best weekend: $2.5 million
– Best distribution: 842 theaters
Based on a true story, the harrowing, Oscar-winning tale of Polish Jewish pianist Władysław Szpilman (Adrien Brody) depicts his struggle to survive in Warsaw during the Nazi occupation. The film made more than $120 million worldwide against a $35 million budget and stayed in theaters for 24 weeks, despite never quite cracking the top 10 at the box office.
R.P. Productions
– Legginess ratio: 13.24
– Total domestic gross: $32.5 million
– Best weekend: $2.5 million
– Best distribution: 842 theaters
Based on a true story, the harrowing, Oscar-winning tale of Polish Jewish pianist Władysław Szpilman (Adrien Brody) depicts his struggle to survive in Warsaw during the Nazi occupation. The film made more than $120 million worldwide against a $35 million budget and stayed in theaters for 24 weeks, despite never quite cracking the top 10 at the box office.
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The Ladd Company
– Legginess ratio: 13.37
– Total domestic gross: $21.5 million
– Best weekend: $1.6 million
– Best distribution: 627 theaters
Adapted from Tom Wolfe’s 1979 nonfiction novel of the same name, the film details the first 15 years of the NASA space program and the highs and lows experienced by the original Project Mercury astronauts. “The Right Stuff” actually bombed at the box office, unable to match its estimated $27 million budget with only earning $21.5 million. However, people did keep coming, as the film remained in theaters for a run of 21 weeks.
The Ladd Company
– Legginess ratio: 13.37
– Total domestic gross: $21.5 million
– Best weekend: $1.6 million
– Best distribution: 627 theaters
Adapted from Tom Wolfe’s 1979 nonfiction novel of the same name, the film details the first 15 years of the NASA space program and the highs and lows experienced by the original Project Mercury astronauts. “The Right Stuff” actually bombed at the box office, unable to match its estimated $27 million budget with only earning $21.5 million. However, people did keep coming, as the film remained in theaters for a run of 21 weeks.
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Barclays Mercantile Industrial Finance
– Legginess ratio: 13.41
– Total domestic gross: $50 million
– Best weekend: $3.7 million
– Best distribution: 665 theaters
This epic historical drama chronicles the life of iconic, real-life American journalist John Reed (Warren Beatty), who traveled to Russia and documented the country’s October Revolution in his book “Ten Days That Shook the World,” released in 1919. During its box office run, Beatty screened the film for then-president Ronald Reagan.
Barclays Mercantile Industrial Finance
– Legginess ratio: 13.41
– Total domestic gross: $50 million
– Best weekend: $3.7 million
– Best distribution: 665 theaters
This epic historical drama chronicles the life of iconic, real-life American journalist John Reed (Warren Beatty), who traveled to Russia and documented the country’s October Revolution in his book “Ten Days That Shook the World,” released in 1919. During its box office run, Beatty screened the film for then-president Ronald Reagan.
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Miramax
– Legginess ratio: 13.43
– Total domestic gross: $170.7 million
– Best weekend: $12.7 million
– Best distribution: 2,701 theaters
Based on the stage musical of the same name, the story follows two women in 1920s Chicago who are in jail together awaiting trials for two separate murders. When the same lawyer takes on both of their cases, the women begin to fight for their place in the media spotlight and avoid a death sentence. Though the film never reached the first or second spot at the box office, the film made a combined $306,776,732. At the time, this was the biggest gross any film that never reached the top two box office spots had ever made in North America.
Miramax
– Legginess ratio: 13.43
– Total domestic gross: $170.7 million
– Best weekend: $12.7 million
– Best distribution: 2,701 theaters
Based on the stage musical of the same name, the story follows two women in 1920s Chicago who are in jail together awaiting trials for two separate murders. When the same lawyer takes on both of their cases, the women begin to fight for their place in the media spotlight and avoid a death sentence. Though the film never reached the first or second spot at the box office, the film made a combined $306,776,732. At the time, this was the biggest gross any film that never reached the top two box office spots had ever made in North America.
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Lucasfilm
– Legginess ratio: 13.43
– Total domestic gross: $309.2 million
– Best weekend: $23 million
– Best distribution: 2,111 theaters
The classic conclusion to the original trilogy sees Luke Skywalker, Han Solo, and Princess Leia battle against Darth Vader and his evil Galactic Empire in order to save the galaxy. Against a budget of only $32.5 million, the film ended up garnering a massive $475.3 million worldwide. In its opening week, it grossed a record $45.3 million at the time and came in first at the box office for six out of seven of its first weeks of theatrical release.
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Lucasfilm
– Legginess ratio: 13.43
– Total domestic gross: $309.2 million
– Best weekend: $23 million
– Best distribution: 2,111 theaters
The classic conclusion to the original trilogy sees Luke Skywalker, Han Solo, and Princess Leia battle against Darth Vader and his evil Galactic Empire in order to save the galaxy. Against a budget of only $32.5 million, the film ended up garnering a massive $475.3 million worldwide. In its opening week, it grossed a record $45.3 million at the time and came in first at the box office for six out of seven of its first weeks of theatrical release.
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Paramount Pictures
– Legginess ratio: 13.5
– Total domestic gross: $330.2 million
– Best weekend: $24.5 million
– Best distribution: 2,365 theaters
The classic saga of one unlikely man’s incredible life and the woman he loves is chronicled from his childhood through to adulthood, where he ends up witnessing and unintentionally influencing several major historical events. “Forrest Gump” spent its first 12 weeks in theaters remaining in the top 10 at the box office, hitting the top spot five times. The film was Paramount’s highest grossing until “Titanic” beat the record in 1997.
Paramount Pictures
– Legginess ratio: 13.5
– Total domestic gross: $330.2 million
– Best weekend: $24.5 million
– Best distribution: 2,365 theaters
The classic saga of one unlikely man’s incredible life and the woman he loves is chronicled from his childhood through to adulthood, where he ends up witnessing and unintentionally influencing several major historical events. “Forrest Gump” spent its first 12 weeks in theaters remaining in the top 10 at the box office, hitting the top spot five times. The film was Paramount’s highest grossing until “Titanic” beat the record in 1997.
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Columbia Pictures
– Legginess ratio: 13.52
– Total domestic gross: $56.1 million
– Best weekend: $4.1 million
– Best distribution: 832 theaters
After the death of their friend, a formerly close group of friends gets together for the funeral, and over the weekend ends up confronting the unresolved issues still simmering among them. Against a budget of only $8 million, “The Big Chill” took in a worldwide gross of $56 million. It remained in the top five at the domestic box office for the first 10 weeks of its theatrical release.
Columbia Pictures
– Legginess ratio: 13.52
– Total domestic gross: $56.1 million
– Best weekend: $4.1 million
– Best distribution: 832 theaters
After the death of their friend, a formerly close group of friends gets together for the funeral, and over the weekend ends up confronting the unresolved issues still simmering among them. Against a budget of only $8 million, “The Big Chill” took in a worldwide gross of $56 million. It remained in the top five at the domestic box office for the first 10 weeks of its theatrical release.
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Columbia Pictures
– Legginess ratio: 13.66
– Total domestic gross: $85.3 million
– Best weekend: $6.2 million
– Best distribution: 1,117 theaters
Listless cabbie John Winger (Bill Murray) enlists in the U.S. Army alongside his friend after being fired and getting dumped, but his hijinks get him in trouble when they threaten to catalyze an international scandal. The fourth most popular film of 1981, “Stripes” took in more than $85 million domestically against a budget of only $10 million.
Columbia Pictures
– Legginess ratio: 13.66
– Total domestic gross: $85.3 million
– Best weekend: $6.2 million
– Best distribution: 1,117 theaters
Listless cabbie John Winger (Bill Murray) enlists in the U.S. Army alongside his friend after being fired and getting dumped, but his hijinks get him in trouble when they threaten to catalyze an international scandal. The fourth most popular film of 1981, “Stripes” took in more than $85 million domestically against a budget of only $10 million.
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Dreamworks Pictures
– Legginess ratio: 13.68
– Total domestic gross: $130.1 million
– Best weekend: $9.5 million
– Best distribution: 1,990 theaters
Disillusioned suburban father Lester Burnham finds renewed joie de vivre when he takes a special interest in his teenage daughter’s attractive friend, while both his daughter and wife simultaneously embark on journeys of self-discovery that all begin to unravel the fabric of their seemingly perfect family. The film had a 38-week domestic theatrical run and had seven weeks spent among the top five at the box office, though it never surpassed third place.
Dreamworks Pictures
– Legginess ratio: 13.68
– Total domestic gross: $130.1 million
– Best weekend: $9.5 million
– Best distribution: 1,990 theaters
Disillusioned suburban father Lester Burnham finds renewed joie de vivre when he takes a special interest in his teenage daughter’s attractive friend, while both his daughter and wife simultaneously embark on journeys of self-discovery that all begin to unravel the fabric of their seemingly perfect family. The film had a 38-week domestic theatrical run and had seven weeks spent among the top five at the box office, though it never surpassed third place.
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BBC Films
– Legginess ratio: 13.8
– Total domestic gross: $12.6 million
– Best weekend: $911,000
– Best distribution: 761 theaters
Sheltered, smart teen Jenny (Carey Mulligan) aspires to attend Oxford University, but when a much older romantic interest enters her life, Jenny suddenly finds herself in the throes of adulthood in this coming-of-age film. The Academy Award-nominated “An Education” spent 30 weeks in theaters, though it never even cracked the top 10 at the box office.
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BBC Films
– Legginess ratio: 13.8
– Total domestic gross: $12.6 million
– Best weekend: $911,000
– Best distribution: 761 theaters
Sheltered, smart teen Jenny (Carey Mulligan) aspires to attend Oxford University, but when a much older romantic interest enters her life, Jenny suddenly finds herself in the throes of adulthood in this coming-of-age film. The Academy Award-nominated “An Education” spent 30 weeks in theaters, though it never even cracked the top 10 at the box office.
You may also like: Different movies with the same plots
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Twentieth Century Fox
– Legginess ratio: 13.99
– Total domestic gross: $115 million
– Best weekend: $8.2 million
– Best distribution: 1,419 theaters
When a wish turns 12-year-old Josh Baskin into a 30-year-old man (Tom Hanks), he must navigate the highs and lows of adulthood in New York City. “Big” opened at #2 in its first weekend. Directed by Penny Marshall, it became the first female-directed feature film to take in more than $100 million at the box office.
Twentieth Century Fox
– Legginess ratio: 13.99
– Total domestic gross: $115 million
– Best weekend: $8.2 million
– Best distribution: 1,419 theaters
When a wish turns 12-year-old Josh Baskin into a 30-year-old man (Tom Hanks), he must navigate the highs and lows of adulthood in New York City. “Big” opened at #2 in its first weekend. Directed by Penny Marshall, it became the first female-directed feature film to take in more than $100 million at the box office.
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Pathé Pictures International
– Legginess ratio: 14.06
– Total domestic gross: $56.4 million
– Best weekend: $4 million
– Best distribution: 1,850 theaters
This biographical drama film chronicles the tense relations between Queen Elizabeth II and the United Kingdom’s Prime Minister Tony Blair following the tragic death of Princess Diana in 1997. The film earned a worldwide total of more than $123 million by the end of its run, breaching the top 10 at the domestic box office four times in its 33-week run.
Pathé Pictures International
– Legginess ratio: 14.06
– Total domestic gross: $56.4 million
– Best weekend: $4 million
– Best distribution: 1,850 theaters
This biographical drama film chronicles the tense relations between Queen Elizabeth II and the United Kingdom’s Prime Minister Tony Blair following the tragic death of Princess Diana in 1997. The film earned a worldwide total of more than $123 million by the end of its run, breaching the top 10 at the domestic box office four times in its 33-week run.
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Miramax
– Legginess ratio: 14.15
– Total domestic gross: $57.5 million
– Best weekend: $4.1 million
– Best distribution: 1,738 theaters
Based on the novel of the same name by John Irving, “The Cider House Rules” follows an orphan named Homer Wells (Tobey Maguire) and his life after he leaves the World War II-era orphanage where he was trained in medicine by the doctor who runs it. Due to the thematic material of the film, including incest, drugs, and abortion, the film was given the strictest possible rating in Ireland during its box office run.
Miramax
– Legginess ratio: 14.15
– Total domestic gross: $57.5 million
– Best weekend: $4.1 million
– Best distribution: 1,738 theaters
Based on the novel of the same name by John Irving, “The Cider House Rules” follows an orphan named Homer Wells (Tobey Maguire) and his life after he leaves the World War II-era orphanage where he was trained in medicine by the doctor who runs it. Due to the thematic material of the film, including incest, drugs, and abortion, the film was given the strictest possible rating in Ireland during its box office run.
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Miramax
– Legginess ratio: 14.18
– Total domestic gross: $78.7 million
– Best weekend: $5.6 million
– Best distribution: 1,409 theaters
Near the end of World War I, a badly injured man tended to by a nurse in an Italian monastery recalls his life and the passionate love affair he was wrapped up in before the war. “The English Patient” remained in the top 10 at the domestic box office for nearly half of its 21-week run in theaters.
Miramax
– Legginess ratio: 14.18
– Total domestic gross: $78.7 million
– Best weekend: $5.6 million
– Best distribution: 1,409 theaters
Near the end of World War I, a badly injured man tended to by a nurse in an Italian monastery recalls his life and the passionate love affair he was wrapped up in before the war. “The English Patient” remained in the top 10 at the domestic box office for nearly half of its 21-week run in theaters.
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Touchstone Pictures
– Legginess ratio: 14.3
– Total domestic gross: $178.4 million
– Best weekend: $12.5 million
– Best distribution: 1,811 theaters
While on a business trip, Edward Lewis (Richard Gere) picks up sex worker Vivian (Julia Roberts), and the two form an unlikely bond that slowly evolves into much more than that. This classic American rom-com was a hit at the box office, becoming the 1990’s third highest-grossing film and seeing the most tickets sold ever for a rom-com in the United States.
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Touchstone Pictures
– Legginess ratio: 14.3
– Total domestic gross: $178.4 million
– Best weekend: $12.5 million
– Best distribution: 1,811 theaters
While on a business trip, Edward Lewis (Richard Gere) picks up sex worker Vivian (Julia Roberts), and the two form an unlikely bond that slowly evolves into much more than that. This classic American rom-com was a hit at the box office, becoming the 1990’s third highest-grossing film and seeing the most tickets sold ever for a rom-com in the United States.
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IPC Films
– Legginess ratio: 14.59
– Total domestic gross: $119.3 million
– Best weekend: $8.2 million
– Best distribution: 1,015 theaters
Chelsea (Jane Fonda) visits her parents at their New England vacation home: her curmudgeonly father Norman (Henry Fonda) and her mother Ethel (Katharine Hepburn). Accompanied by her new boyfriend and his teenage son, Chelsea’s visit begins to repair the family’s strained relationship. The film remained in the top 10 at the box office for 23 out of its 26 weeks in domestic theaters, seven of those weeks saw it take the top spot and six were consecutive.
IPC Films
– Legginess ratio: 14.59
– Total domestic gross: $119.3 million
– Best weekend: $8.2 million
– Best distribution: 1,015 theaters
Chelsea (Jane Fonda) visits her parents at their New England vacation home: her curmudgeonly father Norman (Henry Fonda) and her mother Ethel (Katharine Hepburn). Accompanied by her new boyfriend and his teenage son, Chelsea’s visit begins to repair the family’s strained relationship. The film remained in the top 10 at the box office for 23 out of its 26 weeks in domestic theaters, seven of those weeks saw it take the top spot and six were consecutive.
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Paramount Pictures
– Legginess ratio: 14.84
– Total domestic gross: $156.6 million
– Best weekend: $10.6 million
– Best distribution: 1,401 theaters
After a one-night stand with a seductive book editor (Glenn Close), married family man Dan Gallagher (Michael Douglas) finds himself the object of the woman’s unsavory affections as her behavior escalates into those of a full-blown stalker. The popular erotic thriller generated controversy at the time of release, and was #1 at the domestic box office for the first eight consecutive weeks in theaters.
Paramount Pictures
– Legginess ratio: 14.84
– Total domestic gross: $156.6 million
– Best weekend: $10.6 million
– Best distribution: 1,401 theaters
After a one-night stand with a seductive book editor (Glenn Close), married family man Dan Gallagher (Michael Douglas) finds himself the object of the woman’s unsavory affections as her behavior escalates into those of a full-blown stalker. The popular erotic thriller generated controversy at the time of release, and was #1 at the domestic box office for the first eight consecutive weeks in theaters.
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Redwave Films
– Legginess ratio: 15.2
– Total domestic gross: $46 million
– Best weekend: $3 million
– Best distribution: 783 theaters
Recently fired steelworker Gaz (Robert Carlyle) discovers his ex-wife is trying to sue him for missed child support payments and he needs to come up with cash fast. So, Gaz and his pal Dave (Mark Addy) come up with the idea to put on a male strip show for one night only. The film became critically acclaimed and was a major international success, grossing an overall $258 million against a budget of only $3.5 million.
Redwave Films
– Legginess ratio: 15.2
– Total domestic gross: $46 million
– Best weekend: $3 million
– Best distribution: 783 theaters
Recently fired steelworker Gaz (Robert Carlyle) discovers his ex-wife is trying to sue him for missed child support payments and he needs to come up with cash fast. So, Gaz and his pal Dave (Mark Addy) come up with the idea to put on a male strip show for one night only. The film became critically acclaimed and was a major international success, grossing an overall $258 million against a budget of only $3.5 million.
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Warner Bros.
– Legginess ratio: 15.25
– Total domestic gross: $94 million
– Best weekend: $6.2 million
– Best distribution: 1,109 theaters
Based on Alice Walker’s award-winning novel of the same name, the film tells the incredible life story of Celie Harris (Whoopi Goldberg), a Black woman who grew up in America during the early 20th century and overcame immense hardship. “The Color Purple” stayed in theaters in the United States for 21 weeks and ranked #1 in box office earnings for a PG-13 film in 1985.
Warner Bros.
– Legginess ratio: 15.25
– Total domestic gross: $94 million
– Best weekend: $6.2 million
– Best distribution: 1,109 theaters
Based on Alice Walker’s award-winning novel of the same name, the film tells the incredible life story of Celie Harris (Whoopi Goldberg), a Black woman who grew up in America during the early 20th century and overcame immense hardship. “The Color Purple” stayed in theaters in the United States for 21 weeks and ranked #1 in box office earnings for a PG-13 film in 1985.
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Dreamworks Pictures
– Legginess ratio: 15.46
– Total domestic gross: $85.1 million
– Best weekend: $5.5 million
– Best distribution: 2,648 theaters
Based on a true story, the Academy award-winning film follows world-class Black pianist Don Shirley (Mahershala Ali) who, in need of a driver to undertake a concert tour in 1962, hires an Italian American named Tony Lip (Viggo Mortensen), and their time together begins to bridge the cultural gap between the two men. Despite a rocky start at the box office, the film remained in theaters for 24 weeks, gaining steam once it was nominated for the Academy Award for Best Picture and especially when it won.
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Dreamworks Pictures
– Legginess ratio: 15.46
– Total domestic gross: $85.1 million
– Best weekend: $5.5 million
– Best distribution: 2,648 theaters
Based on a true story, the Academy award-winning film follows world-class Black pianist Don Shirley (Mahershala Ali) who, in need of a driver to undertake a concert tour in 1962, hires an Italian American named Tony Lip (Viggo Mortensen), and their time together begins to bridge the cultural gap between the two men. Despite a rocky start at the box office, the film remained in theaters for 24 weeks, gaining steam once it was nominated for the Academy Award for Best Picture and especially when it won.
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Tig Productions
– Legginess ratio: 15.48
– Total domestic gross: $184.2 million
– Best weekend: $11.9 million
– Best distribution: 1,636 theaters
Civil War soldier John Dunbar (Kevin Costner) travels to the American frontier in order to find a military post, but he ends up leaving his former life behind to live with the Lakota Native Americans with whom he forms a strong bond. The film remained in the top 10 at the box office for 26 out of 29 weeks in its domestic theatrical run.
Tig Productions
– Legginess ratio: 15.48
– Total domestic gross: $184.2 million
– Best weekend: $11.9 million
– Best distribution: 1,636 theaters
Civil War soldier John Dunbar (Kevin Costner) travels to the American frontier in order to find a military post, but he ends up leaving his former life behind to live with the Lakota Native Americans with whom he forms a strong bond. The film remained in the top 10 at the box office for 26 out of 29 weeks in its domestic theatrical run.
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International Film Investors
– Legginess ratio: 15.48
– Total domestic gross: $52.8 million
– Best weekend: $3.4 million
– Best distribution: 825 theaters
This biographical drama chronicles the life of Mahatma Gandhi, the British-trained Indian lawyer who ends up forsaking all his worldly possessions to become the face of opposition against British rule over his country, leading up to his assassination in 1948. “Gandhi” became the 12th highest-grossing film in 1982.
International Film Investors
– Legginess ratio: 15.48
– Total domestic gross: $52.8 million
– Best weekend: $3.4 million
– Best distribution: 825 theaters
This biographical drama chronicles the life of Mahatma Gandhi, the British-trained Indian lawyer who ends up forsaking all his worldly possessions to become the face of opposition against British rule over his country, leading up to his assassination in 1948. “Gandhi” became the 12th highest-grossing film in 1982.
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Paramount Pictures
– Legginess ratio: 15.57
– Total domestic gross: $75.9 million
– Best weekend: $4.9 million
– Best distribution: 1,050 theaters
On the hunt for a killer on the loose, cop Jack Cates (Nick Nolte) pulls the killer’s former partner, Reggie Hammond (Eddie Murphy), out of prison on a 48-hour leave in an attempt to help track him down. The seventh highest-grossing film in 1982, “48 Hrs.” only dropped below the top 10 at the box office during the last three weeks of its 20-week domestic run.
Paramount Pictures
– Legginess ratio: 15.57
– Total domestic gross: $75.9 million
– Best weekend: $4.9 million
– Best distribution: 1,050 theaters
On the hunt for a killer on the loose, cop Jack Cates (Nick Nolte) pulls the killer’s former partner, Reggie Hammond (Eddie Murphy), out of prison on a 48-hour leave in an attempt to help track him down. The seventh highest-grossing film in 1982, “48 Hrs.” only dropped below the top 10 at the box office during the last three weeks of its 20-week domestic run.
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Columbia Pictures
– Legginess ratio: 15.79
– Total domestic gross: $177.2 million
– Best weekend: $11.2 million
– Best distribution: 1,222 theaters
Down-on-his-luck, difficult actor Michael Dorsey (Dustin Hoffman) decides to reinvent himself as a female actor named Dorothy Michaels in order to win a soap opera part. He nabs the part, but inadvertently becomes a feminist icon while falling for his castmate. The film made $5.5 million during its first weekend in 943 theaters, and was the second highest-grossing film in 1982 behind “E.T. the Extra-Terrestrial.”
Columbia Pictures
– Legginess ratio: 15.79
– Total domestic gross: $177.2 million
– Best weekend: $11.2 million
– Best distribution: 1,222 theaters
Down-on-his-luck, difficult actor Michael Dorsey (Dustin Hoffman) decides to reinvent himself as a female actor named Dorothy Michaels in order to win a soap opera part. He nabs the part, but inadvertently becomes a feminist icon while falling for his castmate. The film made $5.5 million during its first weekend in 943 theaters, and was the second highest-grossing film in 1982 behind “E.T. the Extra-Terrestrial.”
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Fox Searchlight Pictures
– Legginess ratio: 15.84
– Total domestic gross: $44.5 million
– Best weekend: $2.8 million
– Best distribution: 1,236 theaters
After the grandmother of awkward, Midwestern teenager Napoleon Dynamite (Jon Heder) is injured, his strange uncle comes to look after him. Finding little solace in his home life, Napoleon tries to help a new friend win the high school class presidency. Now considered a cult classic, the film was actually a success upon release. With a meager budget of only $400,000 and a very limited initial release, the film went on to earn more than $46 million worldwide.
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Fox Searchlight Pictures
– Legginess ratio: 15.84
– Total domestic gross: $44.5 million
– Best weekend: $2.8 million
– Best distribution: 1,236 theaters
After the grandmother of awkward, Midwestern teenager Napoleon Dynamite (Jon Heder) is injured, his strange uncle comes to look after him. Finding little solace in his home life, Napoleon tries to help a new friend win the high school class presidency. Now considered a cult classic, the film was actually a success upon release. With a meager budget of only $400,000 and a very limited initial release, the film went on to earn more than $46 million worldwide.
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Columbia Pictures
– Legginess ratio: 15.87
– Total domestic gross: $242.6 million
– Best weekend: $15.3 million
– Best distribution: 1,506 theaters
After a group of scientists all lose their university jobs, they decide to team up to create a service that rids buildings of ghosts for money. But when they stumble upon a gateway to another dimension, they have to save all of New York City from the forces of evil. This classic comedy held the top spot at the box office for seven consecutive weeks.
Columbia Pictures
– Legginess ratio: 15.87
– Total domestic gross: $242.6 million
– Best weekend: $15.3 million
– Best distribution: 1,506 theaters
After a group of scientists all lose their university jobs, they decide to team up to create a service that rids buildings of ghosts for money. But when they stumble upon a gateway to another dimension, they have to save all of New York City from the forces of evil. This classic comedy held the top spot at the box office for seven consecutive weeks.
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Metro-Goldwyn-Mayer (MGM)
– Legginess ratio: 15.91
– Total domestic gross: $80.6 million
– Best weekend: $5.1 million
– Best distribution: 1,178 theaters
Unlucky in love, Loretta Castorini (Cher) accepts a marriage proposal from her less-than-satisfactory boyfriend Johnny (Danny Aiello), but when she’s tasked with reaching out to his hot-tempered, estranged brother, Ronny (Nicolas Cage), she finds herself falling for him while Johnny is out of the country. Upon wide release, “Moonstruck” debuted at #3 at the box office and spent 20 weeks out of its 25-week run in the top 10.
Metro-Goldwyn-Mayer (MGM)
– Legginess ratio: 15.91
– Total domestic gross: $80.6 million
– Best weekend: $5.1 million
– Best distribution: 1,178 theaters
Unlucky in love, Loretta Castorini (Cher) accepts a marriage proposal from her less-than-satisfactory boyfriend Johnny (Danny Aiello), but when she’s tasked with reaching out to his hot-tempered, estranged brother, Ronny (Nicolas Cage), she finds herself falling for him while Johnny is out of the country. Upon wide release, “Moonstruck” debuted at #3 at the box office and spent 20 weeks out of its 25-week run in the top 10.
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Orion Pictures
– Legginess ratio: 16.29
– Total domestic gross: $81.5 million
– Best weekend: $5 million
– Best distribution: 949 theaters
To secure his fortune, New York City playboy Arthur (Dudley Moore) enters an arranged marriage agreement with an heiress, but when he falls for a waitress from Queens, he puts his cushy life in jeopardy. Though it experienced a shaky start at the box office, the film finished that summer as the seventh highest-grossing movie and by the end of the year was the fourth highest.
Orion Pictures
– Legginess ratio: 16.29
– Total domestic gross: $81.5 million
– Best weekend: $5 million
– Best distribution: 949 theaters
To secure his fortune, New York City playboy Arthur (Dudley Moore) enters an arranged marriage agreement with an heiress, but when he falls for a waitress from Queens, he puts his cushy life in jeopardy. Though it experienced a shaky start at the box office, the film finished that summer as the seventh highest-grossing movie and by the end of the year was the fourth highest.
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Rimfire Films
– Legginess ratio: 16.55
– Total domestic gross: $174.8 million
– Best weekend: $10.6 million
– Best distribution: 1,495 theaters
After a New York reporter visits Australia to interview famous bushman Michael J. “Crocodile” Dundee (Paul Hogan), she becomes so charmed by him that she brings him back to the Big Apple, where hijinks ensue due to the clash of cultures. The film debuted at #1 in the United States and held that spot for nine consecutive weeks. It was the second highest-grossing film of 1986 behind “Top Gun.”
Rimfire Films
– Legginess ratio: 16.55
– Total domestic gross: $174.8 million
– Best weekend: $10.6 million
– Best distribution: 1,495 theaters
After a New York reporter visits Australia to interview famous bushman Michael J. “Crocodile” Dundee (Paul Hogan), she becomes so charmed by him that she brings him back to the Big Apple, where hijinks ensue due to the clash of cultures. The film debuted at #1 in the United States and held that spot for nine consecutive weeks. It was the second highest-grossing film of 1986 behind “Top Gun.”
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Kintop Pictures
– Legginess ratio: 16.66
– Total domestic gross: $32.5 million
– Best weekend: $2 million
– Best distribution: 1,002 theaters
Aspiring soccer player Jess Bhamra (Parminder Nagra) has strict Indian parents who don’t support her love of the sport. But when her skills catch the attention of a semi-pro player by chance, she must come up with elaborate lies so she can participate in the game she loves. “Bend It Like Beckham” was the highest-grossing soccer film ever in the United States upon release, and is still #3 behind “She’s the Man” and “Kicking & Screaming.”
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Kintop Pictures
– Legginess ratio: 16.66
– Total domestic gross: $32.5 million
– Best weekend: $2 million
– Best distribution: 1,002 theaters
Aspiring soccer player Jess Bhamra (Parminder Nagra) has strict Indian parents who don’t support her love of the sport. But when her skills catch the attention of a semi-pro player by chance, she must come up with elaborate lies so she can participate in the game she loves. “Bend It Like Beckham” was the highest-grossing soccer film ever in the United States upon release, and is still #3 behind “She’s the Man” and “Kicking & Screaming.”
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Lorimar Film Entertainment
– Legginess ratio: 16.83
– Total domestic gross: $129.8 million
– Best weekend: $7.7 million
– Best distribution: 1,050 theaters
An antisocial, self-involved U.S. Navy recruit named Zack Mayo (Richard Gere) clashes with his drill sergeant shortly after he arrives. But through tough love and new love with a new woman, Zack learns how to open himself up to others. “An Officer and a Gentleman” was the third highest-grossing film of 1982 and earned almost $130 million worldwide.
Lorimar Film Entertainment
– Legginess ratio: 16.83
– Total domestic gross: $129.8 million
– Best weekend: $7.7 million
– Best distribution: 1,050 theaters
An antisocial, self-involved U.S. Navy recruit named Zack Mayo (Richard Gere) clashes with his drill sergeant shortly after he arrives. But through tough love and new love with a new woman, Zack learns how to open himself up to others. “An Officer and a Gentleman” was the third highest-grossing film of 1982 and earned almost $130 million worldwide.
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Universal Pictures
– Legginess ratio: 17.01
– Total domestic gross: $96.9 million
– Best weekend: $5.7 million
– Best distribution: 1,389 theaters
The harrowing true story of businessman Oskar Schindler (Liam Neeson), who staffed his factory with Polish Jewish refugees from the Holocaust and saved more than a thousand lives in the process. During its 33-week run at the domestic box office, it stayed in the top 10 for 19 weeks and made it to second place once.
Universal Pictures
– Legginess ratio: 17.01
– Total domestic gross: $96.9 million
– Best weekend: $5.7 million
– Best distribution: 1,389 theaters
The harrowing true story of businessman Oskar Schindler (Liam Neeson), who staffed his factory with Polish Jewish refugees from the Holocaust and saved more than a thousand lives in the process. During its 33-week run at the domestic box office, it stayed in the top 10 for 19 weeks and made it to second place once.
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New Regency Productions
– Legginess ratio: 17.13
– Total domestic gross: $42.3 million
– Best weekend: $2.5 million
– Best distribution: 1,213 theaters
Washed-up superhero actor Riggan Thomson (Michael Keaton) attempts to make a comeback by staging and starring in a Broadway play, but between tense interpersonal relationships and unpredictable actors, Thomson has more than a few hurdles to overcome as opening night fast approaches. The film brought in more than $100 million worldwide against only a $17 million budget.
New Regency Productions
– Legginess ratio: 17.13
– Total domestic gross: $42.3 million
– Best weekend: $2.5 million
– Best distribution: 1,213 theaters
Washed-up superhero actor Riggan Thomson (Michael Keaton) attempts to make a comeback by staging and starring in a Broadway play, but between tense interpersonal relationships and unpredictable actors, Thomson has more than a few hurdles to overcome as opening night fast approaches. The film brought in more than $100 million worldwide against only a $17 million budget.
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Columbia Pictures
– Legginess ratio: 17.15
– Total domestic gross: $90.8 million
– Best weekend: $5.3 million
– Best distribution: 1,111 theaters
New kid in town Daniel (Ralph Macchio) finds himself targeted by bullies who train at a nearby karate dojo. With the help of a repairman who also secretly happens to be a karate master, Daniel learns to master the art in order to defend himself. “The Karate Kid” was 1984’s biggest sleeper hit, a term used to describe films that are initially unsuccessful, but gain more success in time.
Columbia Pictures
– Legginess ratio: 17.15
– Total domestic gross: $90.8 million
– Best weekend: $5.3 million
– Best distribution: 1,111 theaters
New kid in town Daniel (Ralph Macchio) finds himself targeted by bullies who train at a nearby karate dojo. With the help of a repairman who also secretly happens to be a karate master, Daniel learns to master the art in order to defend himself. “The Karate Kid” was 1984’s biggest sleeper hit, a term used to describe films that are initially unsuccessful, but gain more success in time.
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Paramount Pictures
– Legginess ratio: 17.38
– Total domestic gross: $217.6 million
– Best weekend: $12.5 million
– Best distribution: 1,766 theaters
When banker Sam Wheat (Patrick Swayze) is murdered by his corrupt business partner after a deal gone wrong, he must transcend realms in order to contact his still-alive lover Molly (Demi Moore) and protect her. “Ghost” was the highest-grossing film of 1990 and remained in the top three at the box office for the first 12 consecutive weeks, coming in at #1 for four of them.
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Paramount Pictures
– Legginess ratio: 17.38
– Total domestic gross: $217.6 million
– Best weekend: $12.5 million
– Best distribution: 1,766 theaters
When banker Sam Wheat (Patrick Swayze) is murdered by his corrupt business partner after a deal gone wrong, he must transcend realms in order to contact his still-alive lover Molly (Demi Moore) and protect her. “Ghost” was the highest-grossing film of 1990 and remained in the top three at the box office for the first 12 consecutive weeks, coming in at #1 for four of them.
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Melampo Cinematografica
– Legginess ratio: 17.75
– Total domestic gross: $57.6 million
– Best weekend: $3.2 million
– Best distribution: 1,136 theaters
During the Nazi occupation, a charming Jewish Italian bookseller is sent away to a concentration camp with his son and separated from his wife. While trapped in the camp, the bookseller attempts to use his imagination in order to protect his son from understanding the real horror. Until 2011, “Life is Beautiful” remained the highest-grossing Italian film in Italy, at which time it was surpassed by “What a Beautiful Day.”
Melampo Cinematografica
– Legginess ratio: 17.75
– Total domestic gross: $57.6 million
– Best weekend: $3.2 million
– Best distribution: 1,136 theaters
During the Nazi occupation, a charming Jewish Italian bookseller is sent away to a concentration camp with his son and separated from his wife. While trapped in the camp, the bookseller attempts to use his imagination in order to protect his son from understanding the real horror. Until 2011, “Life is Beautiful” remained the highest-grossing Italian film in Italy, at which time it was surpassed by “What a Beautiful Day.”
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Enigma Productions
– Legginess ratio: 17.92
– Total domestic gross: $61.6 million
– Best weekend: $3.4 million
– Best distribution: 810 theaters
This historical sports drama follows two determined, but very different, runners training for the 1924 Olympics in Paris—devout Scottish Christian Eric Liddell (Ian Charleson) and British Jew Harold Abrahams (Ben Cross). The film remained in theaters for 38 weeks and opened at #1 at the domestic box office, remaining in the top 10 for 18 weeks.
Enigma Productions
– Legginess ratio: 17.92
– Total domestic gross: $61.6 million
– Best weekend: $3.4 million
– Best distribution: 810 theaters
This historical sports drama follows two determined, but very different, runners training for the 1924 Olympics in Paris—devout Scottish Christian Eric Liddell (Ian Charleson) and British Jew Harold Abrahams (Ben Cross). The film remained in theaters for 38 weeks and opened at #1 at the domestic box office, remaining in the top 10 for 18 weeks.
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Twentieth Century Fox
– Legginess ratio: 18.6
– Total domestic gross: $659.4 million
– Best weekend: $35.5 million
– Best distribution: 3,265 theaters
Rose DeWitt Bukater (Kate Winslet) tells the story 84 years later of how she met her star-crossed lover Jack Dawson (Leonardo DiCaprio) aboard the doomed RMS Titanic luxury liner. This iconic romance epic broke a number of box office records at the time, including becoming the highest-grossing film worldwide until “Avatar,” another film by “Titanic” director James Cameron, overtook it 12 years later.
Twentieth Century Fox
– Legginess ratio: 18.6
– Total domestic gross: $659.4 million
– Best weekend: $35.5 million
– Best distribution: 3,265 theaters
Rose DeWitt Bukater (Kate Winslet) tells the story 84 years later of how she met her star-crossed lover Jack Dawson (Leonardo DiCaprio) aboard the doomed RMS Titanic luxury liner. This iconic romance epic broke a number of box office records at the time, including becoming the highest-grossing film worldwide until “Avatar,” another film by “Titanic” director James Cameron, overtook it 12 years later.
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Universal Pictures
– Legginess ratio: 18.73
– Total domestic gross: $212.3 million
– Best weekend: $11.3 million
– Best distribution: 1,815 theaters
California teen Marty McFly (Michael J. Fox) meets up with his mad scientist friend Doc Brown (Christopher Lloyd) and gets accidentally sent back to the 1950s. There, Marty ends up unknowingly meddling with the past and must save his future self by making sure his teen parents fall in love. The sci-fi comedy classic earned the top spot at the box office for its first three weeks of release, and though it was knocked briefly to #2 in its fourth weekend, it regained #1 in week five and held that position for another eight consecutive weeks.
Universal Pictures
– Legginess ratio: 18.73
– Total domestic gross: $212.3 million
– Best weekend: $11.3 million
– Best distribution: 1,815 theaters
California teen Marty McFly (Michael J. Fox) meets up with his mad scientist friend Doc Brown (Christopher Lloyd) and gets accidentally sent back to the 1950s. There, Marty ends up unknowingly meddling with the past and must save his future self by making sure his teen parents fall in love. The sci-fi comedy classic earned the top spot at the box office for its first three weeks of release, and though it was knocked briefly to #2 in its fourth weekend, it regained #1 in week five and held that position for another eight consecutive weeks.
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Paramount Pictures
– Legginess ratio: 19.1
– Total domestic gross: $180.5 million
– Best weekend: $9.4 million
– Best distribution: 1,531 theaters
Bold and brash fighter pilot Lt. Pete “Maverick” Mitchell (Tom Cruise) is sent to the U.S. Navy’s Fighter Weapons School to refine his skills, where he finds that his cocksure attitude puts him at odds with the other students. “Top Gun” became the highest-grossing film of 1986 and did not drop in initial theater count until six months after release.
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Paramount Pictures
– Legginess ratio: 19.1
– Total domestic gross: $180.5 million
– Best weekend: $9.4 million
– Best distribution: 1,531 theaters
Bold and brash fighter pilot Lt. Pete “Maverick” Mitchell (Tom Cruise) is sent to the U.S. Navy’s Fighter Weapons School to refine his skills, where he finds that his cocksure attitude puts him at odds with the other students. “Top Gun” became the highest-grossing film of 1986 and did not drop in initial theater count until six months after release.
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Paramount Pictures
– Legginess ratio: 19.39
– Total domestic gross: $90.5 million
– Best weekend: $4.7 million
– Best distribution: 1,140 theaters
Alex Owens (Jennifer Beals) struggles to balance her two jobs—as a welder and an exotic dancer—but when her boss and lover expresses support for her passion for classical dance, she becomes determined to get accepted into a prestigious dance conservatory. Against a budget of only $7 million, the film made more than $200 million worldwide. It never dipped below the #12 spot at the domestic box office.
Paramount Pictures
– Legginess ratio: 19.39
– Total domestic gross: $90.5 million
– Best weekend: $4.7 million
– Best distribution: 1,140 theaters
Alex Owens (Jennifer Beals) struggles to balance her two jobs—as a welder and an exotic dancer—but when her boss and lover expresses support for her passion for classical dance, she becomes determined to get accepted into a prestigious dance conservatory. Against a budget of only $7 million, the film made more than $200 million worldwide. It never dipped below the #12 spot at the domestic box office.
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Alliance Cinema
– Legginess ratio: 21.75
– Total domestic gross: $241.4 million
– Best weekend: $11.1 million
– Best distribution: 2,016 theaters
It should be a joyous occasion when a Greek woman who has struggled to find a husband—to the chagrin of her big family—finally meets the man of her dreams. But she fears the disapproval she’ll receive due to the fact that he isn’t Greek. Growing steadily from a limited release, “My Big Fat Greek Wedding” became a sleeper hit in 2002, ultimately grossing more than $360 million worldwide.
Alliance Cinema
– Legginess ratio: 21.75
– Total domestic gross: $241.4 million
– Best weekend: $11.1 million
– Best distribution: 2,016 theaters
It should be a joyous occasion when a Greek woman who has struggled to find a husband—to the chagrin of her big family—finally meets the man of her dreams. But she fears the disapproval she’ll receive due to the fact that he isn’t Greek. Growing steadily from a limited release, “My Big Fat Greek Wedding” became a sleeper hit in 2002, ultimately grossing more than $360 million worldwide.
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Universal Pictures
– Legginess ratio: 25.22
– Total domestic gross: $435.1 million
– Best weekend: $17.3 million
– Best distribution: 3,010 theaters
Steven Spielberg’s family classic follows the gentle little E.T., an alien who becomes stranded on Earth and befriends a young boy and his family. When E.T. falls ill, government intervention compels the boy to save his new friend. An immediate blockbuster at the time of release, it held the top spot at the domestic box office for the first 12 consecutive weeks of its run.
Universal Pictures
– Legginess ratio: 25.22
– Total domestic gross: $435.1 million
– Best weekend: $17.3 million
– Best distribution: 3,010 theaters
Steven Spielberg’s family classic follows the gentle little E.T., an alien who becomes stranded on Earth and befriends a young boy and his family. When E.T. falls ill, government intervention compels the boy to save his new friend. An immediate blockbuster at the time of release, it held the top spot at the domestic box office for the first 12 consecutive weeks of its run.
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AMLF
– Legginess ratio: 25.82
– Total domestic gross: $52 million
– Best weekend: $2 million
– Best distribution: 802 theaters
As told by his rival Antonio Salieri (F. Murray Abraham), the fictionalized life of classical music prodigy Wolfgang Amadeus Mozart (Tom Hulce) is chronicled through the eyes of the peer who both resented and envied him—to dire consequence. The period bio-drama stayed within the top 10 at the box office for 14 weeks out of its 36-week run at the domestic box office.
AMLF
– Legginess ratio: 25.82
– Total domestic gross: $52 million
– Best weekend: $2 million
– Best distribution: 802 theaters
As told by his rival Antonio Salieri (F. Murray Abraham), the fictionalized life of classical music prodigy Wolfgang Amadeus Mozart (Tom Hulce) is chronicled through the eyes of the peer who both resented and envied him—to dire consequence. The period bio-drama stayed within the top 10 at the box office for 14 weeks out of its 36-week run at the domestic box office.
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Paramount Pictures
– Legginess ratio: 27.17
– Total domestic gross: $225.7 million
– Best weekend: $8.3 million
– Best distribution: 1,400 theaters
The iconic capers of Indiana Jones kick off with “Raiders of the Lost Ark,” where intrepid archaeologist Jones (Harrison Ford) is recruited by the government in order to locate a legendary artifact being sought after by Nazis. The action-adventure film spent 40 consecutive weeks as one of the top 10 highest-grossing films in 1981.
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Paramount Pictures
– Legginess ratio: 27.17
– Total domestic gross: $225.7 million
– Best weekend: $8.3 million
– Best distribution: 1,400 theaters
The iconic capers of Indiana Jones kick off with “Raiders of the Lost Ark,” where intrepid archaeologist Jones (Harrison Ford) is recruited by the government in order to locate a legendary artifact being sought after by Nazis. The action-adventure film spent 40 consecutive weeks as one of the top 10 highest-grossing films in 1981.
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:max_bytes(150000):strip_icc()/sundance-movies-2024-b9fbb214fed8464bbedf0ccff45040c6.jpg "Sundance 2024’s 10 most-anticipated movies")
